;kW89Z[8 = -Rzr[qDlXrlߑdA#nؖfFhFV7=\|=CMrS Ӳ*{?\}>Fv.oY{BFShݲ:NcguI+sklmd{mmMhǡW6Hh69eag@.ˆ/bɎPP GI+1d>`nnu&\$XP5XH ba7f |i lJ E- @ыl=Ȳ/X.w@O)[s`u]ŬA}ݭ6sp H>mymVXaA>1ս2q=4cm k:0/@#t%@Nǜr"檢Ӱb dp(pNxg%\C$Ð  ܖx914AP=V;tsubYC4m9b?  Gލhͧ*uUT«8O|Zq%``#nb `GxLj<$` AONLKBeH=D1>(ᛖF,z,e.s#M@MBīsI'GrIJ^}~vvrUT&+Zk{/+'l> .e4;{Ń2C_i5zg[;xW7_4obzv_ N>btGjSCWdwAQ:CoUk}qE]]?qWY j7n7^M*pruoW ՛^ەG|{@4nK^8M{/p;,ݜV^}Bq9i~ Tkx.li}eZpk>?\ :'o$tii "_$׳w;v/>ԗ}Kq]O :+H^;yah"n>tK9J3_$D~xvzXiAf?xyvLIuYayy>(o'H|~.*O%x[k M|O"y!œ@%VR*@Β!4f.fdx)86xR\~MxB=s'ncj  1];} &ʭ=(V O/;nlmZ 񶔟YX ,WݾfY[qCCurwg2˜$l-׉捌5:jjIbAD>vLۺBm,̥\}Jq_NG"*|h>- ţX̤-PPjΌj&߳k.?ϴ9A;laʉKчAx~m5w w e[~x|ǭV'}x3itvK_v]ңO3Ǩ{T71%9ͨA$vj (TmTZKf0+bd)Ԧ#rN֟#h-ϡwP j)iBGjqV8&11HBGb/XNL9|"T5 IdЁN'Dum>*3h09>d,Ho=A`$Jwz; A13(^! y/"/lm;}ԩ|MGar_4N#`@ 2w,_Du)xnZƢ!ve$|.q _}kHiHΗ8ޯ~E;{\ a#A7ު56z}ЯۋF^;^:$vJ6 MUIRկ[RfKŭNF3Q?+ ('>q١.̇[ raBZx遄jHk#sϒM5Y0p؅ zvl 8=4ߋc$99cT< N rE@J6wrYqS5o@d{?{9X؇1W.MPek0ӫ1"%cd[D8) 5|wJӤ)6}{~'A;Tf'.A>Ktd{ tx~7%lzQ?NvJicv($1$[|VLX"L*;+L:d^,?*_(=$wZLYZ.J%{ueXk1ޱIB' & Q_QWMe򑟽R_\晵Ha3/j|cR,֌7Іp"ԺB%tBWs5=DMB֎֊Nad>p1oCHiwx2O}6Ѩ߼e"~K>/֞d}?~Ԍx? ~c<c )` 苮wp 0\p~nW <ݚ0=Ku2|1l ԓ<& q̑Za5i >`7)#?gS>OBqx/.m# ޢ)?3%ЁO'(Lw6| Z ,Ol9$w QzdiK%ěa(ǃ%?i< R(X`JaET<cT!R&0 wM5LxiÃo:[=uíMxzzᚄI9<¾(v$U~T|(wY[R#~PZr+G82qfBO ' 2?c}`yH?@Ȯ$] T0Zt)xSwew\&Bo ىqz;:gUfk PGPK M@v|* jCziI툀%U)٦zTFV{q:vNs T b°GBgBЦ#-2d4z5hH+w<͍oR'=v\ܛ7SLlxzc 7@X! ` W+ϓH5):3YeTx9V2~ֽu?#o=tEHnMKntFv;RaH9A~/핁EƷnRוn553Z/g!Hɀž>`"eJRD,]r)CL4db=BCdD ׄbE*"Q6 Tg19ӉlMUjј) UNavz. ǦH(}<*$bǚEiLB2g,D7a~uv ӆPdU ' pDaoY捡6Ozb$ɥ!…ƨ>ҦG>#XcvǂEP W9,2,XYn svk4g3K|WNZs`yvߞ3H(k$J{62)R+1۹`L<_{EtG#3vG:\Ąz,gKEt9kY[Y/vam-kXGe{--̥|q)X^-0xH'\Ֆ,`F\'17:Lt9dgOaE VQL J K2\#6 1TN#"ȎK%z4y$ X3Ӎ5yO/g!uZlcJ6*)"<*t*59-ی%{&,)ug,3c1D )FI!,ąFgľ%Y)g}E|~ ų!؋qHo~ ՌObtQYIKn6[s>7

Through the Looking Glass (Philadelphia, PA) "Women have been taught to spend many hours in front of the looking glass. On the surface of the glass we see only the surface of ourselves, a poor image created by the false ideals of the society around us. This same society often ignores the realities of us and our needs and even our whole livesThat's why we started this newspaper. We hope it can be a true looking glass and also an exchange between all women in and around Philadelphia of the feelings, hopes, and questions we all have."

Title

City, State

First Issue

Last Issue

Tapestry

Boston, MA

No. 2

(1980)

Telewoman

Pleasant Hill, CA

April

(1981)

June

(1982)

Telewoman

Pleasant Hill, CA

July

(1982)

Aug

(1983)

Telewoman

Pleasant Hill, CA

Sept

(1983)

Nov

(1984)

Telewoman

Pleasant Hill, CA

Dec

(1984)

Feb

(1987)

Tell-A-Woman

Philadelphia, PA

Vol. 1, No. 2

(1972)

Vol. 2, No. 12

(1973)

Themis (Susan B. Anthony Coven No. 1, Member of the Covenant of the Goddess)

Los Angeles, CA

Vol. 1, No. 1

(1979)

Vol. 2, No. 8

(1981)

Thesmophoria

Oakland, CA

Vol. 3, No. 1

(1981)

Vol. 7, No. 6

(1986)

Thesmophoria

Oakland, CA

Vol. 7, No. 7

(1986)

Vol. 4, No. 1

(1992)

Through the Looking Glass

Seattle, WA

Vol. 1, No. 1

(1978)

Through the Looking Glass

Philadelphia, PA

Vol. 1, No. 1

(1971)

Vol. 1, No. 2

(1971)

Thursdays Child

San Diego, CA

Vol. 1, No. 1

(1978)

Tightwire

Kingston, Ontario

Vol. 1, No. 3

(1975)

To Our Credit

Portland, OR

Vol. 1, No. 1

(1978)

Vol. 2, No. 2

(1979)

Touchstone

Milwaukee, WI

June-July

(1983)

Trans action

New Brunswick, NJ

Vol. 8, No. 1-2

(1970)

Transformation

Seattle, WA

No. 1

no date

Transformation Times

Beavercreek, OR

Vol. 4, No. 2

(1985)

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