;RH)TMƲllvHBg%E-B-yRu_>}{NwKmd[O\|<#bcY닣g/)+֘'qaY~ܯyԱht{kiSZvbhoI : qܨaxqd0bmw0l,7&'GBXN1aqۊY 9mg D澅V\dü}fT?RR*U MawO #p>Sap-nU,#g̪\$Eͨbmc ;U]__W{dM[fng1%vF #ڨa.q{ ymp?A~4s:l,>sY?QwpXϵ)%nRKd; y ͌@ܒy ̘'vta Jr+ Z ]L~ۊh4,'NƠF,-,2UwE4pڜjZO;0M{H,I/Ai/UWNF+#s ڠ0fNN52 tyiO bueۨ؟N`I^b0ịFIH=J4@8μE /?-`A az*唕2|}dÐLZ)qqY!}QX۴mduZ^,6%'ӾR>Ks[{yHc!194LlYj̖*}-B<ŏfamx@PwOwa䚿z{w7սΑ{Vg%z9.{yҸvm^^=p蝵I՗V^ŷoo(7qA\^{{ h, 7aۋGͪkeIW6,m+>/ݫ7: o/WەFZ:3o<;X_zWx__$-ZY@cAL`ֺL&HB@Gdo\#g~vċ.aGn+"wseu{d)zGIp -K-?q_2<"0[䌉SJ./(Kя{ 0*Ҟ1Z^19#FN&+(kzCZ4tU}CºA·Z5컁SG'f-y&: 3)TixּvR2{W):뼾'AovpF}Zu_߭_nwdi~V݌9ެ°=N=8|r|y-᷿z]^_\쮶W]^MkpjrR)m*-^PrY8v(oF vB㮱a\YFDַڨrǠT7C061r:,Y>V+=*==|V/nd| :F{|r5j htUAKӣW؀7  0$|u/4n#1^:_5+rhWj(ǢPO4 rq!n*iFEf,,Ӽڔ" 37$yd?@[eQ$IჰTG~ 9A`BZ,`9rJ9#˔cX(B! r̈́+9 鰙)hɔE }9q.RCr#nJB.x%U(0.pP@mr,z.C0j+X4G3mL)RúOQ7s3d, ÌmlfG xn$b) ["z8C[15LWr&'M/J|;"J`ձlbK<5]lJ>кLLM] CDj?YQir'~n.ES {=oST-yҥ~+ (N!!œ8u&4%!&V,'湂sRelYNW;>k)V*ϫ1ƥ#=CHtfz~yL]$oPO-K1S#Eiwrtb&4ʹ{gȼ4=. HʣG!eT갍Ehr4d}<h=1#d_R7PPlMW@x_2+,7KHZ N9=Y1!CB[\I)h9LY9n4#> ܴe8]ƖdQi64( &Ef4MDQ3Gİmɀ5J|2Pht9r|yG_P犞6UMO=0ݥJ4T1O5tFX#rnV3sͱy\9Qӣ-}2^^A'2+w3i 1:-$zCA4JeOꇛ. =ꔄ]?|3 .@ `Ⱑnzш=+gH~]WLՒz״\)鰼V<[͌( m p&p^7s'ny'۠p7@4;RI9( t׀ .myf3ek& o$-Be9nczxq!N-T`L7HZM4Gy5J/I .%QN)*ђl`q_Ѧ9߳|P_߿X]P6%95>٥1[Xܤ Q#=eUbɇNux1`as&-S1 F0tlF0-@| bd ЏuKwP20Jz!\_Дau瞵nԡf.^DmZ]YYK^|ڜߺlK?XzHXAug `80 XG8elFYu) 7it莕-KQ9J+ꈤ]nhj5QF:HIAX> kMvgPF0h[ h6%n6,dG‰x!"F3 0FS c$f$bDxF%J!f0D5͘Dm%é9(" ѮeŸ"y g>C cQ%|f,]"#r gYS\jukDSi>a1EӜ]5PtTՊB9Qc2d9j(L͋M 1{+cq6\]TɁuȹK R_d Ipeq+zzi3zF8 2J W\lzu+f\ˍ,ז![%vZW>'^iejȥ-eS>6d ,8`]tL=jUr)'d}1*tT.~x2!Ō1UA)!`:d|h'5e2gc-+ۊB63~&=-F%/^:!wݻ돎 d_L1nB_XgܻFk}e 3-7@?E?c3|} 96i\k]_\ݐc*#zxyLvO4dgtkpr|}o'Gǃw7O;o~8^^d*q~㧌B

Through the Looking Glass (Philadelphia, PA) "Women have been taught to spend many hours in front of the looking glass. On the surface of the glass we see only the surface of ourselves, a poor image created by the false ideals of the society around us. This same society often ignores the realities of us and our needs and even our whole livesThat's why we started this newspaper. We hope it can be a true looking glass and also an exchange between all women in and around Philadelphia of the feelings, hopes, and questions we all have."

Title

City, State

First Issue

Last Issue

Tapestry

Boston, MA

No. 2

(1980)

Telewoman

Pleasant Hill, CA

April

(1981)

June

(1982)

Telewoman

Pleasant Hill, CA

July

(1982)

Aug

(1983)

Telewoman

Pleasant Hill, CA

Sept

(1983)

Nov

(1984)

Telewoman

Pleasant Hill, CA

Dec

(1984)

Feb

(1987)

Tell-A-Woman

Philadelphia, PA

Vol. 1, No. 2

(1972)

Vol. 2, No. 12

(1973)

Themis (Susan B. Anthony Coven No. 1, Member of the Covenant of the Goddess)

Los Angeles, CA

Vol. 1, No. 1

(1979)

Vol. 2, No. 8

(1981)

Thesmophoria

Oakland, CA

Vol. 3, No. 1

(1981)

Vol. 7, No. 6

(1986)

Thesmophoria

Oakland, CA

Vol. 7, No. 7

(1986)

Vol. 4, No. 1

(1992)

Through the Looking Glass

Seattle, WA

Vol. 1, No. 1

(1978)

Through the Looking Glass

Philadelphia, PA

Vol. 1, No. 1

(1971)

Vol. 1, No. 2

(1971)

Thursdays Child

San Diego, CA

Vol. 1, No. 1

(1978)

Tightwire

Kingston, Ontario

Vol. 1, No. 3

(1975)

To Our Credit

Portland, OR

Vol. 1, No. 1

(1978)

Vol. 2, No. 2

(1979)

Touchstone

Milwaukee, WI

June-July

(1983)

Trans action

New Brunswick, NJ

Vol. 8, No. 1-2

(1970)

Transformation

Seattle, WA

No. 1

no date

Transformation Times

Beavercreek, OR

Vol. 4, No. 2

(1985)

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