N_|tzcdَqq^@z͓/N0ʎ򝵂":p`PlXqwIJRcJU_9R\~k3+͒@>;5ꓘS֬"#h\|Kv"%ǜ;yOc1Ncy#HXvJ. K$dpq7fr)W跹%!lJ E1P #Ryl9#A^1\qoJ3w}V`E1kS,^w\$"06>}>fAmBR~Y#^lݘV3ıưA9|A#?DnǜZ"sӰb,ep(ZPNhf%\B$Ð p۸/Je!5K8+ԍgmQҴÌBX88vњHoĹAi+w?%xR. PZl-=X AO[t %F"j!bm^qި)GƕTČB(Y-hοh\lE3L )0'% 4]k&)r.^Ux(qݣاwׄb%qb%NBS͓K4mJ<]JhI#Pr?F9N6@;wU@>{}zX34;9NJEWGT]<EIjl#qR}@ MPnߛn:hj*]MOX'M܆#6횟;J8muoS0X]=@\ku`\;OOC^qW H=D|+J , ?U*NM 'w_yC (1%n+= Ěv N,-x8-#B1e ݢ;N]6 hAߒ2D< bP5+%-y^Ԙ"ӫqʷb"on{!w>)5_:OW.Σ=?}V춪oa h/R^~E +U*ֵ[ZM*+ltWWg=1.O-ǟ-Wxi_8ǯmit64}ޖc௨`?9(ݵV,3ׅ IXȺxfW*;;=j}Y/Š)YQw[%>yJBO#,4S1AK;fA $>IJuVä2H7&/}",#.IdЅN'Dݚf'fGOQ9/,[rRf8PPW[ VPNg!L?;x2_9H3w򌏂s=Y Y_}7o)|zSy;8+yJ p0`쓝O[-4X4dMWA8@[q gX ڰB+h{i* PoK@ЗN57:n#~_=o7۰y;_?ZGNcGЍ Ɗ6oL8ʆUVnBݺÔSM'aRc+I!=E#uIv:Ẹd'G 1`!h.:#\ܻVf'Җ0):roBwZ>ҘlX2"}%d Yk, qw!`VͩԿj""ՕFV]l$1Xdv\4lLe fu(ͧ/FVkd%aXcKs7/5fW܊34j؆SZƌLs5i*hX~Yjd Lr"<2F *Q%Tkzm*νһ`/gѝmЊe0%e0'+*P,siq`2gK/?_/;X_ );/_v0KiHz %c-vl$rugι#v!+ry]noTvw*孃1^K CO*'`tN0H=7I,G>ǐ`E{g6#-Dv60!AYw)-D0)u 䕸R t%Pew\sN&hJԦr$ ٴT,P kՔnI\?|)T_+[,W<[ySl| BaoLr2#D>aކLEÑ##rEFm?s h4~]^FigtGAVmFp> XSDknGQE}QׂQ `~`GH L`ĕ p40|7FW>]zXf~1RC>NG?=poyC[r> LYCo B+V|ey`w<g-ve39kY}LI%¾zfYnn"5juN7M02QePrkW]*ʠ|yŽu)f0"sJ(b0l!;&S\ )E6@)["[M(JASHZQGf,hMC"B1ˉliV'm~XW#ӹfTx#)Bg._f^GB#3 $~ՎxT=2y H_ mz lE,mgRϓijަބ %AJr4)fK1E} T#qxJЅLB."Q(kj<뢷l#jQAPsz`akhJI6}㡏չ1UWC@j(HrcKr46x}s-_6MYJi)~rk|d[կ'F'GcGAt&AЙY8@48b Y,b&D3y̦2yZx7h9 @ CԆNh.ut'R={×rT^^ƥEmERx,Kș$K@t \/K|/\@>3rEC 3#=u b~ j fi.YiI>H2!eHJBK: 1D'&$|.™ҺYQ[Y̍Qա܆Ma<\fN?^YXmļ[WfꔾJzI[e\AԃPgLd캁H[wʛv:ڱ7ۛiIcko,6VA!\2:?"v˴:Lz tՄ@+|2"fa>v©Ch#"3er1={mfz<) ;U9ڔe>lCsz2_?qb"v

Through the Looking Glass (Philadelphia, PA) "Women have been taught to spend many hours in front of the looking glass. On the surface of the glass we see only the surface of ourselves, a poor image created by the false ideals of the society around us. This same society often ignores the realities of us and our needs and even our whole livesThat's why we started this newspaper. We hope it can be a true looking glass and also an exchange between all women in and around Philadelphia of the feelings, hopes, and questions we all have."

Title

City, State

First Issue

Last Issue

Tapestry

Boston, MA

No. 2

(1980)

Telewoman

Pleasant Hill, CA

April

(1981)

June

(1982)

Telewoman

Pleasant Hill, CA

July

(1982)

Aug

(1983)

Telewoman

Pleasant Hill, CA

Sept

(1983)

Nov

(1984)

Telewoman

Pleasant Hill, CA

Dec

(1984)

Feb

(1987)

Tell-A-Woman

Philadelphia, PA

Vol. 1, No. 2

(1972)

Vol. 2, No. 12

(1973)

Themis (Susan B. Anthony Coven No. 1, Member of the Covenant of the Goddess)

Los Angeles, CA

Vol. 1, No. 1

(1979)

Vol. 2, No. 8

(1981)

Thesmophoria

Oakland, CA

Vol. 3, No. 1

(1981)

Vol. 7, No. 6

(1986)

Thesmophoria

Oakland, CA

Vol. 7, No. 7

(1986)

Vol. 4, No. 1

(1992)

Through the Looking Glass

Seattle, WA

Vol. 1, No. 1

(1978)

Through the Looking Glass

Philadelphia, PA

Vol. 1, No. 1

(1971)

Vol. 1, No. 2

(1971)

Thursdays Child

San Diego, CA

Vol. 1, No. 1

(1978)

Tightwire

Kingston, Ontario

Vol. 1, No. 3

(1975)

To Our Credit

Portland, OR

Vol. 1, No. 1

(1978)

Vol. 2, No. 2

(1979)

Touchstone

Milwaukee, WI

June-July

(1983)

Trans action

New Brunswick, NJ

Vol. 8, No. 1-2

(1970)

Transformation

Seattle, WA

No. 1

no date

Transformation Times

Beavercreek, OR

Vol. 4, No. 2

(1985)

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